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‘Carrying the notion for the album around with me for almost a year, there were certain connections I was making with other bodies of work,’ said Sylvian of Blemish. That was Blemish.’Ĭhristian’s request couldn’t have been better timed. David then got back to me and said he’d be happy to do that, if I do something for the album he is working on. I asked my label to get in touch with David’s management to ask him to participate on my album Venice. ‘I have been a long time fan since the release of Brilliant Trees which I bought right after it was released. When I spoke to Christian Fennesz recently, he told me how he approached David Sylvian in the hope of working together. Photos and paintings can do this as well – some hidden atmosphere that turns out to be very simple once you discover it.’ (2004) What I’m trying to perceive is this feeling I get when I discover something in a film that reminds me of a feeling and an atmosphere I once had, some kind of déjà vu. ‘For me it is important to have some kind of “history” within my music, something that makes people, and myself too, remember things that they normally wouldn’t expect from this kind of music…To say it in a simple way: I like to hide things and like to distort simplicity. Even in Fennesz’s noisiest work, it often seems as though there is a beautiful melody trying to surface.’Īround the same time Fennesz himself described to David Toop the instinctive response he strives to elicit through his creations. ‘There is a spirit to the work that allows it to rise above others in this genre that are equally fascinating: I think of Oval and Pan Sonic. You’re doing research.” And what I liked about Christian’s work is that there it all was: modern technology, but in the service of the heart. It’s a means of finding out what is now possible with this or that technology. I’m not moved by it.” He said, “Yeah, that’s right. I was talking to Ryuichi about two years ago and he said, “Do you still listen to music?” I said, “Well, I still tend to buy a lot of music and I listen to a fair amount of it. ‘What I liked about his work is that there’s a melodicism to it. I said, “Sure, if you’re willing to contribute something to mine.” He said he was writing a new album and asked if I would contribute vocals to it. He sent me that originally to see if I was interested in doing something together.
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‘That’s the track that turned me onto his work. ‘It’s the title track from Endless Summer,’ came the confirmation of his inquisitor. Included in the music presented to Sylvian was a track with which he was familiar. In June 2003, it was the turn of David Sylvian to encounter the ‘Invisible Jukebox’.
#Retrospect vistas lyrics series#
"Sucker" is a joyous teaser of what to expect from Vistas's forthcoming debut album, which is set to be released later this year and showcased on their first US tour.UK music magazine The Wire runs a regular feature whereby a series of tracks is played to a guest who is challenged to identify both artist and music, with the ensuing conversation a launch-pad for discussion of artistic trends, innovation and influences. Sonically, the track makes smooth transitions from the high points to lows, reminiscent of the roller coaster of emotions you face when the only thing on your mind is a newfound crush. The intention of the song is to show that, at times, everyone can do daft things when they’ve fallen for someone." "'Sucker' is a track about being completely head over heels in love with someone and recognizing all the senseless things people do in order to maintain the love they feel. Frontman Prentice Robertson spoke further on the track, sharing, “Sucker" is the sonic embodiment of falling and hard fast. The chorus repeats "I'm a sucker and a fool and I'm in love," leading us down into the rabbit hole of emotion that is being head over heels in love. Throughout the theatrics, the man fixes his attention on a specific woman in the crowd, his obvious love interest. The video follows an older gentleman garnering the courage to perform in front of a bar crowd then launching into daydream production, featuring the Vistas crew making a cameo as the support band. Ever wonder what Alan Cooper from The Inbetweeners is up to these days? Neither do we, but he's living his best life anyway, lighting up an open mic night in Vistas' new music video for "Sucker." Continuing a streak of expertly-produced, OK Go-esque music videos (see "Teenage Blues" and "Retrospect" for reference), the Scottish trio nailed the visuals for this rock'n'roll love song.